The CMI’s versatility and sonic capabilities made it an ideal instrument for experimental and avant-garde musicians, who pushed the boundaries of what was possible with electronic music. The instrument’s influence can be heard in countless recordings, from the iconic sounds of Vangelis’ “Chariots of Fire” to the pioneering electronic music of Laurie Spiegel and Suzanne Ciani.
The CMI V has introduced the instrument to a new generation of musicians and producers, allowing them to explore the same creative possibilities that pioneers like Brian Eno and Kraftwerk enjoyed.
The Arturia CMI’s legacy extends far beyond its own commercial success. The instrument played a significant role in shaping the course of electronic music, paving the way for future innovations in music technology.
In 2011, French company Arturia, known for their software emulations of classic synthesizers, acquired the rights to the CMI and released a software version of the instrument. The Arturia CMI V is a faithful recreation of the original, featuring an identical interface and sonic capabilities.